Translation of "pas d'avancement du film " (French → English) :

pull-down [ pull down ]

frame pitch | pull down | film advance | film transport | film run

transport lock

double exposure lock [ transport lock ]

deferral | deferred asset | deferred charge | deferred expenditure | prepaid expense | prepayments

percentage-of-completion method

proportional performance method

series director | TV director | film director | video and motion picture director

[11] Examples are: Thessaloniki Film Festival (Greece), Festival Premiers Plans (Anger, France), Festival Européen du Film Court de Brest (France), Festival Internacional de cine para jóvenes (Gijón, Spain), International Short Film Festival (Berlin, Deutschland), Crossing Europe Film Festival (Linz, Austria) and the 20th European Youth Film Festival of Flanders (Belgium).

Further promoting tools to improve access to EU works online, including the creation of ready-to-offer catalogues of European films in order to give Video-on-Demand (VoD) services a well curated catalogue of films from different producers, the development of licensing hubs to facilitate the licensing of works in countries where they have not been released in cinemas or where there is no national distributor; and a larger use of standard identifiers of works.The use of common identifiers will help find rights holders more easily and facilitate licensing; Promoting wider access to EU works, and address linguistic barriers through more ef ...[+++]ficient funding subtitling and dubbing (including an online repository); investing in a European aggregator so that people can find more easily a legal offering of films online; promoting the use of data and automated tools for content recommendation, in view of developing and enlarging audiences for European works; working with film industry to promote the discoverability of European films and exploring joint promotion strategies for European co-productions; and funding in 2017 catalogues of European films for educational purposes to present the diversity and quality of European films to young audiences. Exploring new business models, starting with the EU animation sector by discussing how animation films and television animation can travel even better and discussing how the sector can scale up.

This includes working with industry to streamline licensing practices and industry agreements for more sustained use and wider availability of European works; investing in online tools for the legal digital distribution of European works in countries where they have not been released in cinemas or where there is no national distributor; supporting a catalogue of European films to give VOD services a well curated catalogue of films from different producers; and promoting interoperable standard identifiers for seamless and reliable i ...[+++]dentification of works. Promote wider access to EU works, and address linguistic barriers through more efficient funding subtitling and dubbing (including an online repository); investing in a European aggregator so that people can find more easily a legal offering of films online; promoting the use of data and automated tools for content recommendation, in view of developing and enlarging audiences for European works; working with film industry to promote the discoverability of European films and exploring joint promotion strategies for European co-productions; and creating and funding in 2017 a catalogue of European films for educational purposes to present the diversity and quality of European films to young audiences. Exploring new business models, starting with the EU animation sector by discussing how animation films and television animation can travel even better and discussing how the sector can scale up.

You decided in advance — before any censorship board has seen it — that is X-rated or pornographic?