Translation of "Auteure multimédia " (French → English) :

Since we submitted the brief to you, we have received other support for our brief, for example from the Corporation des bibliothécaires professionnels du Québec, the Société des auteurs de radio, télévision et cinéma, the Canadian Literary Translators Association of Canada, the Société civile des auteurs multimédia, the Société des auteurs et compositeurs dramatiques and the Association des auteures et auteurs de l'Ontario français.

Mr. Yves Légaré (Director General, Société des auteurs de radio, télévision et cinéma, Droit d'auteur, Multimédia, Internet, Copyright (DAMIC)): In fact, the process itself reveals more about the government's intentions and the amendments departments are hoping to make than anything else.

(g) to ensure that eAccessibility become a regular part of all education programmes of vocational schools of any level, e.g. Web masters, multimedia authors and software developers.

25. Recognises the important role of collective management societies which constitute an indispensable link between creators and users of copyrighted works, on account of the fact that they ensure that artists and right-holders receive payment for the use of their works, since technological developments have led to new forms of protected works, especially in the multimedia sector, and have increased the possibilities for international exploitation of intellectual property rights; points out, in addition, that individual artists and right-holders find it impossible to face the new difficulties alone;

26. Recognises the important role of collective management societies which are an indispensable link between creators and users of copyrighted works, because they ensure that artists and right-holders receive payment for the use of their works, since technological developments have led to new forms of protected works, especially in the multimedia sector, and have increased the possibilities for international exploitation of intellectual property rights, and individual artists and right-holders find it impossible to track the new difficulties by themselves;

5. Recognises the important role of collective management societies which are an indispensable link between creators and users of copyrighted works because they ensure that artists and right-holders receive payment for the use of their works since technological developments have led to new forms of protected works, especially in the multimedia sector, and have increased the possibilities for international exploitation of intellectual property rights and individual artists and right-holders find it impossible to track the new difficulties by themselves;